|
Carlo Emilio Gadda ((:ˈkarlo eˈmiljo ˈɡadda); November 14, 1893 – May 21, 1973) was an Italian writer and poet. He belongs to the tradition of the language innovators, writers that played with the somewhat stiff standard pre-war Italian language, and added elements of dialects, technical jargon and wordplay. ==Biography== Gadda was a practising engineer from Milan, and he both loved and hated his job. Critics have compared him to other writers with a scientific background, such as Primo Levi, Robert Musil and Thomas Pynchon—a similar spirit of exactitude pervades some of Gadda's books. Among Gadda's styles and genres are baroque, expressionism and grotesque.〔(''Romanzi di Carlo Emilio Gadda'' ) p.550〕〔Alberto Arbasino, ''Genius Loci'' in ''The Edinburgh Journal of Gadda Studies'' (EJGS) 1977 , già in ''Certi romanzi'', Einaudi, Torino, 1977, pp. 339–71 (cfr. ), poi in ''L'ingegnere in blu''(2008).〕〔Francisco Protonotari (Il Comico ), edited by Carlo Sini, p.135〕〔(''Nuova antologia'', Volume 560 )〕〔(''Narrativa e Romanzo nel Novecento Italiano'' ) quotation: 〕 Carlo Emilio Gadda was born in Milan in 1893, and he was always intensely Milanese, although late in his life Florence and Rome also became an influence. Gadda's nickname is ''Il gran Lombardo'', The Great Lombard: a reference to the famous lines 70-3 of Paradiso XVII, which predict the protection Dante would receive from Bartolomeo II della Scala of Verona during his exile from Florence: "Lo primo tuo refugio e 'l primo ostello / sarà la cortesia del gran Lombardo/ che 'n su la scala porta il santo uccello" ("Your first refuge and inn shall be the courtesy of the great Lombard, who bears on the ladder the sacred bird"). Gadda's father died in 1909, leaving the family in reduced economic conditions; Gadda's mother, however, never tried to adopt a cheaper style of life. The paternal business ineptitude and the maternal obsession for keeping "face" and appearances turn up strongly in ''La cognizione del dolore''. He studied in Milan, and while studying at the Politecnico di Milano (a university specialized in engineering and architecture), he volunteered for World War I. During the war he was a lieutenant of the Alpini corps, and led a machine-gun team. He was taken prisoner with his squad during the battle of Caporetto in October 1917; his brother was killed in a plane—and this tragic event death features prominently in ''La cognizione del dolore''. Gadda, who was a fervent nationalist at that time, was deeply humiliated by the months he had to spend in a German POW camp. After the war, in 1920, Gadda finally graduated. He practiced as an engineer until 1935, spending three of those years in Argentina. Among Gadda's less well-known achievements is the construction, as engineer, of the Vatican Power Station for Pius XI. (to ''That Awful Mess on the Via Merulana'' ) The country at that time was experiencing a booming economy, and Gadda used the experience for the fictional South American-cum-Brianza setting of ''La Cognizione del Dolore''. After that, in the 1940s, he dedicated himself to literature. These were the years of fascism, that found him a grumbling and embittered pessimist. With age, his bitterness and misanthropy somewhat intensified. In ''Eros e Priapo'' (1945) Gadda analyzes the collective phenomena that favoured the rise of Italian Fascism, the Italian fascination with Benito Mussolini.〔Attilio Brilli (1985) (''Dalla satira alla caricatura. Storia, tecniche e ideologie della rappresentazione'' ) p.30〕 It explains Fascism as an essentially bourgeois movement. ''Eros e Priapo'' was refused in 1945 by a magazine for is allegedly obscene content, and will only be published for the first time in 1967 by Garzanti. The 1967 edition however was expurgated from some of what Gadda considered the most heavy satiric strokes. The unexpurgated original 1945 edition will be published in 2013.〔Nicola Di Turi (''Lettura “Mussolini, il Gran Somaro”: il Gadda autocensurato che ora possiamo leggere'' ), December 11, 2011〕〔Anna Mangiarotti (''A Milano con Gadda'' ), Il Giorno edizione Milano, p.14 28 March 2012 quotation: 〕〔Paola Italia (Mali e rimedi estremi. «Eros e Priapo» 1944–45 )〕 In 1946, the magazine ''Letteratura'' published, in five episodes, the crime novel ''Quer pasticciaccio brutto de via Merulana'', which was translated into English as ''That Awful Mess on Via Merulana''. It experiments heavily with language, borrowing a great deal from several Italian dialects. It is also notable for not telling whodunnit at the end. There is some debate amongst scholars as regards Gadda's sexual orientation. According to Italo Calvino (Introduction to ''That Awful Mess on the Via Merulana'', 1984) he was "a bachelor oppressed by a paralyzing shyness in any female presence." Certainly, his work demonstrates a strongly subversive attitude towards bourgeois values, expressed above all by a discordant use of language interspersed with dialect, academic and technical jargon and dirty talk.〔Giulio Cattaneo, ''Il gran lombardo'', Turin 1991〕 This is particularly interesting as the criticism of the bourgeois life comes, as it were, from the inside, with the former engineer cutting a respectable figure in genteel poverty.〔William Weaver, "That Awful Mess on Via Merulana", New York 1984〕 Gadda kept writing until his death, in 1973. The most important critic of Gadda was Gianfranco Contini. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Carlo Emilio Gadda」の詳細全文を読む スポンサード リンク
|